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The Blythes are quoted

Título: The Blythes are quoted

Autor: L. M. Montgomery

Sinopse: The Blythes Are Quoted is L.M. Montgomery’s final book, completed near the end of her life in April 1942. It is the last of eleven books to feature Montgomery’s protagonist Anne Shirley Blythe, preceded by Anne of Green Gables (1908), Anne of Avonlea (1909), Chronicles of Avonlea (1912), Anne of the Island (1915), Anne’s House of Dreams (1917), Rainbow Valley (1919), Further Chronicles of Avonlea (1920), Rilla of Ingleside (1921), Anne of Windy Poplars (1936), and Anne of Ingleside (1939). It consists of fifteen short stories about unrelated characters alongside vignettes featuring the Blythe family members discussing forty-one of Montgomery’s own poems, which are now attributed to Anne Blythe and to her son Walter Blythe. The Blythes Are Quoted is the last work of fiction by the internationally celebrated author of Anne of Green Gables. Intended by L.M. Montgomery to be the ninth volume in her bestselling series featuring her beloved heroine Anne—and delivered to her publisher on the very day she died—it has never before been published in its entirety. This rediscovered volume marks the final word of a writer whose work continues to fascinate readers all over the world. Adultery, illegitimacy, revenge, murder, and death—these are not the first terms we associate with L.M. Montgomery. But in The Blythes Are Quoted, completed at the end of her life, the author brings topics such as these to the fore. Intended by Montgomery to be the ninth volume in her bestselling series featuring Anne Shirley Blythe, The Blythes Are Quoted takes Anne and her family a full two decades beyond anything else she published about them, and some of its subject matter is darker than we might expect. Divided into two sections, one set before and one after the Great War of 1914–1918, it contains fifteen short stories set in and around the Blythes’ Prince Edward Island community of Glen St. Mary. Binding these stories are sketches featuring Anne and Gilbert Blythe discussing poems by Anne and their middle son, Walter, who dies as a soldier in the war. By blending together poetry, prose, and dialogue in this way, Montgomery was at the end of her career experimenting with storytelling methods in an entirely new manner. This publication of Montgomery’s rediscovered original work—previously published only in severely abridged form as The Road to Yesterday—invites readers to return to her earlier books with a renewed appreciation and perspective. (texto retirado do site "L.M Montgomery Online" - http://lmmonline.org/the-blythes-are-quoted/)

Contexto da obra

Quando a classificação é mais ampla, o contexto do livro costuma depender ainda mais de autoria, tema e edição. “The Blythes are quoted”, de L. M. Montgomery, publicado pela editora Viking Canada, em 2009 e com 527 páginas, integra a categoria Livros Variados. Por isso, autoria, edição e tema acabam tendo ainda mais peso na forma de apresentar o livro.

Editora: Viking Canada

Páginas: 527

Ano: 2009

Edição:

Linguagem: inglês

ISBN: 0670063916

ISBN13: 9780670063918

    Sobre o autor

    A leitura dos livros de L. M. MONTGOMERY conduz o leitor a um universo onde personagens femininas fortes e cheias de imaginação enfrentam os desafios da vida com uma mistura de ternura e determinação. A narrativa alterna momentos líricos e contemplativos, que exploram o crescimento interior e a complexidade das relações afetivas, com episódios mais dinâmicos e cheios de humor, especialmente nas interações cotidianas e nas pequenas confusões que marcam a vida das protagonistas. O ritmo varia entre a calma da vida rural e a agitação dos primeiros amores, criando uma tensão emocional que prende sem pressa. A construção dos personagens privilegia a sinceridade e o desenvolvimento gradual, mostrando suas dúvidas, sonhos e amadurecimento em ambientes que oscilam entre o acolhedor e o desafiador. Em meio a isso, o leitor é convidado a refletir sobre temas como identidade, pertencimento e a busca por um lugar no mundo, sempre com uma sensibilidade que evita o sentimentalismo excessivo.

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