
Título: Just one week: Just one song #2
Autor: Stacey Lynn
Sinopse: Two years ago, Mia had everything she thought she wanted. She loved her job, and her best friend Nicole was finally recovering from losing her family in a car accident. When they met rock star Zack Walters and given backstage pages for his concert in their hometown of Minneapolis, Mia had no idea she would get involved with the band’s drummer, Chase Harper. It was simple, fun, and exactly what Mia liked best – no strings attached. Then Chase decided to change the rules and Mia did what she’s always done best: she ran. Now she’s on her way to Los Angeles to help Nicole get ready for her wedding to Zack. The one thing she’s not looking forward to is seeing Chase again. With his sculpted muscles, strong hands and dark gray eyes that seem to know everything she’s thinking – Chase has the ability to make her forget. He also has the power to make her feel, something Mia refuses to let happen. When everything around Mia’s life begins to crumble, and she keeps all of her secrets tucked close and hidden away, Chase is the one who steps in to help. Because he has decided that he isn’t letting her go again. Not until she finally admits she’s his.
Contexto da obra
Quando a classificação é mais ampla, o contexto do livro costuma depender ainda mais de autoria, tema e edição. “Just one week: Just one song #2”, de Stacey Lynn, publicado pela editora Kindle Edition, em 2013 e com 239 páginas, integra a categoria Livros Variados. Por isso, autoria, edição e tema acabam tendo ainda mais peso na forma de apresentar o livro.
Editora: Kindle Edition
Páginas: 239
Ano: 2013
Edição:
Linguagem: inglês
ISBN:
ISBN13:
Sobre a editora
Os livros da editora Kindle Edition costumam explorar histórias marcadas por relações intensas, conflitos emocionais e personagens que enfrentam dilemas pessoais profundos. O catálogo traz narrativas que transitam entre romances contemporâneos, dramas familiares e suspense, frequentemente com protagonistas que lidam com passados traumáticos ou situações limites. O tom varia do mais sensual e provocativo ao sombrio e tenso, com ritmo que ora acelera em cenas de confronto, ora desacelera para aprofundar emoções. Há obras que abordam temas LGBT, fantasia urbana e até elementos góticos, mostrando certa diversidade dentro de um foco claro em dramas humanos e afetivos.
