Título: Sublime Poussin
Autor: Louis Marin
Sinopse: 'Art history and art theory are inseparable. A history of art can be achieved only through the simultaneous construction of a theory of art.' These words of the eminent scholar and critic Louis Marin suggest why he considered the paintings and the writings of Nicolas Poussin (1594-1665), painter and theoretician of painting, an enduring source of inspiration. Poussin was the artist to whom Marin returned most faithfully over the years. Since Marin did not live to write his proposed book on Poussin, the ten major essays in this volume will remain his definitive statement on the painter who inspired his most eloquent and probing commentary. At the center of Marins inquiry into Poussins art are the theory and practice of "reading" paintings. Rather than explicate Poussins work through systematic textual and iconographic analysis, he sets out to explore a cluster of speculative questions about the meaning of pictorial art: Can painting be a discourse? If so, how can that discourse be deciphered? Marins horizon for interpreting Poussin depends more on the concepts of aesthetic philosophy and the insights of cultural history than on an account of the painters career or his relationship with his artistic predecessors. For example, he positions several of Poussins best-known landscapes with respect both to French seventeenth-century debates on the question of the sublime and to the philosophical tradition of reflection on the sublime. Among the topics Marin studies are the tempest as a major figure of the sublime in Poussins work, the presence of ruins in the paintings, Poussins use of the concept of metamorphosis, and the frequent presence of sleeping bodies in the work. The Poussin who emerges in these essays is preeminently a philosopher-artist whose painterly discourse embodies the limits of thought and of representation. Acabamento: Paperback. Peso: 313g. Dimensões: 23 x 16 x 1.
Contexto da obra
Dentro do catálogo, este livro pode ser situado a partir do tema, da autoria e da proposta editorial. “Sublime Poussin”, de Louis Marin, publicado pela editora Stanford University Press, em 1999 e com 280 páginas, integra a categoria Fotografia e Gravuras. Esse enquadramento pode tornar mais clara a proposta do livro e o tipo de interesse que ele costuma despertar.
Editora: Stanford University Press
Páginas: 280
Ano: 1999
Edição: 1ª EDIÇÃO
ISBN:
ISBN13: 9780804734776
Sobre a editora
Os livros da editora Stanford University Press oferecem uma experiência de leitura que combina rigor acadêmico com narrativas detalhadas e análises profundas. O catálogo privilegia obras que exploram temas históricos, políticos e culturais, frequentemente com foco em processos complexos como a evolução social, as dinâmicas de poder e as transformações tecnológicas. As sinopses sugerem uma predominância de textos que mesclam narrativa histórica e ensaios críticos, com abordagens que vão do detalhamento de eventos específicos, como guerras e movimentos sociais, até reflexões teóricas sobre filosofia, estética e ciência. O tom tende a ser denso e informativo, com ritmo que equilibra exposição analítica e storytelling, adequado a leitores interessados em compreender contextos multifacetados e debates contemporâneos.
