Título: Schubert: The Music and the Man
Autor: Brian Newbould
Sinopse: Of all the great composers, none, not even Mozart, has been so dogged by myth and misunderstanding as Schubert. Since the 1920s, when the musical Blossom Time hit the stage, the notion of Schubert as a pudgy, love-lorn Bohemian schwammerl (mushroom) scribbling gemlich tunes on the back of menus in idle moments has never been quite eradicated. But in this major new biography (the first comprehensive work on Schubert in over fifty years) Brian Newbould lays to rest the stereotype of the composer plucking melodies out of the air, relying on instinct more than well-honed craft. Instead he paints a vivid and compelling portrait of a man who was compulsively dedicated to his art, a composer so prolific that he produced roughly one thousand works in an eighteen year period. Gifted with an intuitive know-how, coupled with a Mozartian facility for composition, Schubert combined the relish and wonder of an amateur with the discipline and technical rigor of a professional. He moved quickly and comfortably among genres, and sometimes composed directly into score; but many pieces required painstaking revision before they satisfied his growing self-criticism. Examining afresh the enigmas surrounding Schubert's religious outlook, his loves, his sexuality, his illness and death, Newbould offers above all a celebration of a unique genius, an idiosyncratic composer of an astonishing body of powerful, enduring music. Of all the great composers, none, not even Mozart, has been so dogged by myth and misunderstanding as Schubert. Since the 1920s, when the musical Blossom Time hit the stage, the notion of Schubert as a pudgy, love-lorn Bohemian schwammerl (mushroom) scribbling gemlich tunes on the back of menus in idle moments has never been quite eradicated. But in this major new biography (the first comprehensive work on Schubert in over fifty years) Brian Newbould lays to rest the stereotype of the composer plucking melodies out of the air, relying on instinct more than well-honed craft. Instead he paints a vivid and compelling portrait of a man who was compulsively dedicated to his art, a composer so prolific that he produced roughly one thousand works in an eighteen year period. Gifted with an intuitive know-how, coupled with a Mozartian facility for composition, Schubert combined the relish and wonder of an amateur with the discipline and technical rigor of a professional. He moved quickly and comfortably among genres, and sometimes composed directly into score; but many pieces required painstaking revision before they satisfied his growing self-criticism. Examining afresh the enigmas surrounding Schubert's religious outlook, his loves, his sexuality, his illness and death, Newbould offers above all a celebration of a unique genius, an idiosyncratic composer of an astonishing body of powerful, enduring music.
Contexto da obra
Quando a classificação é mais ampla, o contexto do livro costuma depender ainda mais de autoria, tema e edição. “Schubert: The Music and the Man”, de Brian Newbould, publicado pela editora University of California Press, em 1997 e com 465 páginas, integra a categoria Livros Variados. Por isso, autoria, edição e tema acabam tendo ainda mais peso na forma de apresentar o livro.
Editora: University of California Press
Páginas: 465
Ano: 1997
Edição:
Linguagem: inglês
ISBN: 0520219570
ISBN13: 9780520219571
Sobre a editora
Os livros da editora University of California Press oferecem um mergulho denso e crítico em temas variados das ciências humanas e sociais, com relatos que combinam rigor acadêmico e narrativas detalhadas. O catálogo privilegia obras que exploram contextos históricos, culturais e políticos complexos, frequentemente com recortes etnográficos ou análises profundas de fenômenos sociais, culturais e artísticos. A linguagem tende a ser cuidadosa e informativa, com textos que propõem reflexões sobre poder, identidade, justiça e transformação social. Há obras que dialogam com áreas como antropologia, sociologia, história, estudos culturais, arte e ciência, equilibrando abordagens mais analíticas e outras mais narrativas, sempre com um tom que valoriza a pesquisa fundamentada e o pensamento crítico.
